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到最後也沒抓住這個混蛋？這貨憑什麽審判別人？批判性很強，但劇情不合邏輯，所有的取景來自與街道和一座小電話亭，這麽小的空間能做出這種壓抑的緊張感，看出來編劇在台詞上很下功夫，但還是太不合邏輯了

the whole film is merely floating in characterisation and tapping in narrative, leaving so much factitiousness behind. 屬於那種食材很好火候尚欠的片

Starts with the most formulaic and exhausted trope: the old accomplished cop on the verge of retiring dies, and his partner decides to take vengeance upon the villain responsible of his death. This one too is just as compliant to the standards & clicheys of the 80's hotcop: good heart but blamable methods. Dafoe's persona by contrast is appealing, esp. due to his (justified) artistic tendencies, a pretext for aesthetic interior settings -"Dance" by Matisse can be spotted during a fit of giggles. Later the storyline swerves off the beaten path with a couple of crushing failures for our cops, but not without good entertainment value (engaging car chase & final showdown). Good epilogue as well

兒子牽著媽媽手的場景最有感，還有躺在媽媽身邊那個，還有最後。

首先，是編劇的功勞，這樣既有看點又省錢的劇本，實在是可遇而不可求。其次Colin Farrell的演技也是充分展現，要在一個小小的電話亭裏表現出心理的每一點細微的改變不是三流演員能做到的。沒有結局的故事，好像總是比較容易讓人印象深刻。